T Suite Wrap Up: Four Panellists Explore the Power of Large-Scale Public Art

To mark the installation of Lindy Lee’s $14 million sculpture, she joined Bridget Smyth and the Tobin brothers for a discussion on public art’s ability to transform, unify, and inspire.

Article by Viola Raikhel

UAP co-founder Daniel Tobin, City of Sydney architect and design director Bridget Smyth, artist Lindy Lee, art advisor, curator and writer Viola Raikhel and UAP co-founder Matthew Tobin.UAP co-founder Daniel Tobin, City of Sydney architect and design director Bridget Smyth, artist Lindy Lee, art advisor, curator and writer Viola Raikhel and UAP co-founder Matthew Tobin. Photography by Jay Patel.

Over the course of five days and nights, Lindy Lee, one of Australia’s pre-eminent contemporary artists, accompanied her latest commission from Brisbane to Canberra. “Ouroboros”, a 13-tonne sculpture made from perforated, mirror-polished stainless steel shaped to represent a snake consuming its own tail — a symbol of the never-ending cycle of life, death and renewal — made its way from the Urban Art Projects (UAP) foundry in Brisbane on the back of a truck with police escort, crossing state borders with Lee driving in convoy the entire way.

Commissioned to celebrate the National Gallery of Australia’s 40th anniversary, the $14 million masterpiece is an impressive feat of engineering, taking 200 skilled artisans at UAP more than 60,000 hours to complete. Fresh from overseeing the installation, Lee and UAP’s founders, brothers Daniel and Matthew Tobin, toasted their latest triumph with a cocktail by event partner Woodford Reserve overlooking Sydney Harbour for the latest T Suite, titled “Let’s Talk Art, Publicly”.

The event included a panel discussion featuring City of Sydney architect and design director Bridget Smyth, who oversees public art projects in the city. Smyth has long collaborated with Lee, so the discussion had the feel of a reunion. The candid and lively conversation delved into the intricate process of creating and transporting “Ouroboros”, the origins of Lee’s collaboration with UAP and the significance of public art in urban spaces, and its ability to unify and transform.

UAP (profiled in T Australia’s June 2024 issue) has emerged as a leading force in the world of public art and bespoke architectural design. What was once a modest Brisbane-based foundry has grown into a global powerhouse with a huge workshop headquarters in upstate New York and outposts around the world, including in Shanghai and Sydney. UAP has earned a reputation for ambitious, large-scale art projects that blend bold artistic vision with cutting-edge engineering and craftsmanship.

The view from the event.
Woodford Reserve’s Richard Dredge, Andy Tsai and Mark Fischer.
maybe sammy cocktails

The company’s growth is marked by its strategic expansions, diverse mix of clients and genuine friendships with artists. Throughout their journey, the Tobins have remained humble and dedicated to this collaborative spirit, supporting creatives and their process.

Smyth shared insights into how public art enhances urban landscapes, sparking dialogue and inspiring a sense of wonder among those who encounter the creations.

“Ouroboros” will be officially unveiled at the Art Gallery of Australia on October 25.

A guest reads the profile on Urban Art Projects (UAP) in 
T Australia’s June 2024 issue.

Inside T Australia’s 2023 T Suite Series: Ask The Innovators

To celebrate the launch of T Australia’s Yes issue, we hosted our annual T Suite discussion series at Sydney’s Oxford Hotel with an intimate group of friends and subscribers. ⁠

Article by T Australia

2023 T Suite_Innovators_9Photography by Myles Klaus.

On the evening of November 1, T Australia’s editor in chief, Katarina Kroslakova; digital content director Victoria Pearson; the singer-songwriter and creative multihyphenate Carla Wehbe; Breathe Architecture’s Jeremy McLeod; and serial entrepreneur and the co-founder of Music Health, Steve Hunt, gathered at Sydney’s Oxford House for our annual T Suite event and panel discussion, themed ‘innovation’.

In celebration of the release of T Australia’s ‘Yes’ issue, starring the model Ajak Deng, special guests, subscribers and friends of T sipped on Patron el Celio prestige silver tequila and experienced the unparalleled audio luxury of Sennheiser’s HE 1 headphones, valued at €70,000 (approximately AU $115,590) in a private listening suite. With only one set of the HE 1 model in Australia, attendees were offered a rare opportunity to hear their other-worldly sound quality, encased in a marble setting carved from the same quarry that Michelangelo’s block for David was sourced from.

Snacks by Oxford House included yellowfin tuna crudo with pickled watermelon and white soy seaweed crisp, beef tartare with granny smith and pickled mustard seeds, tiger prawn rolls with herb and jalapeño sauce, and margherita meringue tart. Gift bags featured Acqua di Parma fragrance, chocolates by Koko Black, Sennheiser SoundProtex Plus ear plugs and a Patrón cocktail kit.

The evening was captured below by STUDIO LA TESSA.

Inside T Australia’s Inaugural T Suite: Power

To celebrate the launch of T Australia’s Yes issue, we hosted our inaugural T Suite discussion series at Sydney’s Ace Hotel with an intimate group of friends and subscribers. ⁠

Article by T Australia

On the evening of October 11, T Australia’s editor in chief, Katarina Kroslakova; musician Holly Rankin (who performs under the moniker Jack River); OzHarvest’s CEO and founder, Ronnie Khan AO; SIR co-founder and creative director, Sophie Coote; and entrepreneur and former CEO of Swisse Wellness, Radek Sali, gathered at Sydney’s Ace Hotel for our inaugural T Suite event and panel discussion.

In celebration of the release of T Australia’s ‘Yes’ issue, featuring cover art by Melbourne artist Vincent Fantauzzo, special guests, subscribers and friends of T sipped on Voyager Estate wines and snacked on Ace Hotel’s Ace Hotel’s appellation oysters, deviled eggs topped with olive oil caviar and cantabrian anchovies, olive and peppers on crostini. The evening was captured below by photographer Myles Klaus.